Welcome to another chapter annotation, a chance for me to tell readers a bit about the writing process that went into THE MEMORY THIEF. As always, this will have plenty of spoilers, so don’t read it if you haven’t already read the book.
Now we’re finally to the point where it’s all new territory. Chapter Eight was written entirely fresh for later drafts. In fact, it didn’t appear until the fifth draft, after my editor got back to me with her first round of revision notes. (Yes. That means I’d done four drafts of the book before I even sent it to an editor.) In the letter, she noted:
The idea of each person’s mind looking like a different library that reflects that person’s personality is fun and provides for interesting set pieces. One important addition of world building would be increasing the stakes of memory thieving by incorporating a kind of ticking clock that only allows a person to be in someone’s mind for a short amount of time before they are stuck there and go brain dead (or some other potential problem). This would increase the intensity and urgency for every memory-thieving scene that we have with Benji.
Up until this point, the Whispers didn’t even exist. Jordan (my editor) rightly noted that it really had a detriment on the tension of Benji could just dart into a Memory Library whenever he felt like it and be safe. It was a like a giant “Pause” button just hanging over everything, waiting to be used. It also meant that he could really dink around whenever he was in a Library. Take his time. No pressure at all.
Of course, it was up to me to figure out what sort of form that “ticking clock” could take. At first I considered making it just that: a literal limited amount of time a Memory Thief could be in any one Library at a time. Jordan’s suggestion of imminent brain death was definitely appealing as well. But I rejected those ideas for one main reason: I wanted the book to be creepier. During each revision, I did my best to “up the creep” factor and bring the novel more in line with my original concept of Disney Horror. I discovered I don’t naturally do this. I have to really focus on writing scary scenes, and even when I believe I’ve done a good job, when I go back to read it through, it was never scary enough.
A ticking clock might scare someone with a phobia, but at that point, there was nothing visceral about the book. All the conflict was pretty much cerebral. I wanted something people could think about. Actually see. Actually run away from.
The Whispers is what I ended up with.
I’m a Robert Jordan fan, and I’ve read Wheel of Time multiple times through. In that series, there’s a thing called the Black Wind, a terrifying something that first manifests itself as incoherent whispering. I always thought that was high on the creepy scale, and perhaps that’s some of what I drew on for the Whispers. But where Jordan takes them in a different direction, I fused that idea with the shadow demon things we now see in the first book.
I was very pleased with how they turned out. I didn’t know much more about them than the basic idea when I started writing this chapter, and I discovered a whole lot “in scene.” It’s my favorite way of brainstorming.
The Whispers are playing a big role in the sequel at the moment. So many readers had questions about them. They ended up being one of the things that caught people’s interest the most. I’d definitely say they were one of the best late additions to the book, and they’ve given me a whole area to play with as I further explore the world of The Memory Thief. What are the Whispers? Where do they come from? Those are questions that were on my mind as I approached the sequel.
Anyway. That’s all I have time for this week. Thanks for reading, and stay tuned for more . . .